Making Better Episode 8: Hayley Stevens, Parranormal Researcher

Hayley Stephens is a paranormal researcher and she lives in what she refers to as “Weird Wiltshire” in the United Kingdom. she is studying towards a BSc (Hons) Psychology. she works full time and in between working and studying, she researches paranormal claims and phenomena. Hayley hosts The Spooktator podcast and is also active on Twitter. Click here to read Hayley’s full biography and feel free to browse her website, which she updates frequently. As with all Making Better episodes, this one is fully transcribed. Click here to read a full transcript of Episode 8.

Episode 8: Hayley Stevens Transcript

Making Better Podcast: Hayley Stevens

Announcer: Welcome to the Making Better Podcast, interviewing some of the world’s finest thinkers about a more optimistic future. Now, here are your hosts, Chris Hofstader and Dr. Francis DiDonato.

Chris: Welcome to Episode 8 of the Making Better Podcast. This episode features Hayley Stevens, the paranormal investigator from England. I’ve known Hayley for quite some time, and we’re pretty good friends. I was pleased when I was sitting beside when she won the Occam Award for the Best Blog in the skeptical world. Hayley’s been investigating haunted houses and other places around England for a long time. She’s never found an actual ghost, and usually comes up with a logical explanation. So without any more introduction, let’s get onto the interview.

Chris: Hayley Stevens, welcome to Making Better!

Hayley: Thank you very much for having me.

Francis: Hi.

Hayley: Hi.

Chris: You and I have known each other for about seven years, I think it was, when we met at that QED conference, …

Hayley: Yeah. It’s a while ago now…

Francis: So is QED a cruise liner or something?

Chris: QED is a conference that goes on in Manchester, England every year, actually Marsh is one of the coordinators…and it stands for Question, Explore, Discover, and it’s a really interesting conference that mixes, sort of, science enthusiasm and humanism and….just interesting things. It has just the coolest audience of any conference I go to with any regularity. Just everyone there is just so nice…and you get a real great mixture of people.

Hayley: You do. It’s …yeah, and you always learn something that you didn’t expect to learn. So you know what the talks are going to be about, but you come away with all sorts of new information and knowledge—it’s great.

Chris: So you’re most well-known within the skeptical movement as a paranormal investigator, and most specifically a ghost hunter. Can you tell us how you got into that—and a bit of your journey with it?

Haley: Yeah, sure. I mean, I used to be a ghost hunter. I wouldn’t kind of class myself as ghost hunter anymore, and that’s because when I first sort of became involved in researching the paranormal, I did it from a position of somebody who believed in the paranormal and would go looking for evidence of ghosts and hauntings and so on at the weekend. And then a few years of doing that led to me having this kind of realization that, actually, what I was doing and the conclusions that I was reaching didn’t really make sense. I started to find out more information about the kind of rational reasons that cause people to see and experience strange things and about the psychology behind strange experiences that people attribute to ghosts and monsters and so on. But I’ve always been interested in these stories of ghosts and monsters and hauntings and all sorts of weird things. So rather than just kind of turning my back on it and finding maybe a new hobby that’s a bit less weird, I carried on researching the paranormal but from a more, kind of, what I hope is a more rational perspective. The position I take now is, I’m not interested in proving or disproving that ghosts are real and that monsters are real, I’m more interested in what’s going on that causes someone to see a ghost. And that might be finding the rational explanation, you know, they’ve seen some kind of illusion or maybe it’s a hoax or something like that; or what it is about the person that made them interpret it as a ghost when maybe somebody else wouldn’t have reached the same conclusion.

Francis: I would like to hear a definition of what skepticism really involves. Is it a movement, is it a philosophy, what…when you say “skepticism” what is it?

Haley: Well, kind of at the core, skepticism is just balancing up the evidence for a claim. So if someone says, “I’ve invented a time machine,” you’d want to see the evidence, you know, you would be skeptical of that claim. When somebody says that they’ve seen a ghost, you can be skeptical of that claim and look at the evidence, and familiarize yourself with the evidence and what it means and what it doesn’t mean. And the same can be said for medical claims: so when people say that they have a cure for cancer, you can examine that claim and see if it actually stands up to scrutiny. If the evidence is there, you can look at the research that’s been done. Was it—does it have a double-blind control in place, is it good research, has it been peer-reviewed and so on. And on the flip side of that, there is a movement, a skeptic movement, where people who have a sort of…I wouldn’t say a passion for disbelieving things, ‘cause that sounds really quite sad, but people who are kind of driven to maybe making the world a bit better and kind of protecting people from the sort of hocus-pocus out there that other people try to (sh*?) onto other people. There is a movement where people will kind of conduct activism and in the UK a lot of it is grassroots activism, whereas in the US it tends to be more organized. And we’ll try and raise awareness around bogus claims and so on.

Chris: While it’s more grassroots both on the UK and Australia, it’s much more effective in both the UK and Australia. The top-down approach here in the US creates these pyramids where very little of any actual effect ever happens.

Haley: Yeah. I suppose as well, the fact that it’s quite, and has always been quite grassroots over here in the UK and also, as you say, in Australia, means that you don’t have to be—it does help to be an expert in a certain field—but you don’t have to be an expert to actually make a contribution. And your [face?] doesn’t have to fit—you can help people, or you can become an activist. One of the biggest things that happened in the sort of grassroots movement here in the UK, probably about a decade ago now, was a homeopathic “overdose”—all across the country, people a homeopathic “overdose” to kind of protest the fact that one of the biggest high street pharmacies over here was selling homeopathic medicine to people. And that was literally a grassroots thing, and I remember going along to the one nearest to where I live, and we downed our homeopathic tablets and we made the press and there were groups of people watching what we were doing. And that has kind of snowballed over time to the point where now, the NHS, the National Health Service here, have de-funded homeopathic medicine. So the money that we have here to be spent on medication will not be going on placebo medication—that’s really good news, especially in a time where our country is facing austerity and there are medications that do work for certain conditions that people get denied. So, you know, the power behind grassroots skepticism isn’t necessarily weaker than organized skepticism, like a top-down system, like you say, in the US. So yeah it can be quite inspiring, and I think it’s the same across Europe, as far you see grassroots organizations popping up all across Europe as well.

Chris: In the process you went through as you became more rational about the paranormal things, I mean, did a lightbulb just go off one day and say, this is irrational, or was it slower process and then how did you get in from there, into skepticism in a broader manner?

Haley: I think it was a lightbulb moment in me realizing that I needed to change what I was doing. However, the kind of path that led to that point was an interesting one, so…there was somebody that I was friends with who was a skeptic. They described themselves as a skeptic, identified as such, and we would have discussions about paranormal research and ghost hunting. And they were civil discussions, and we both knew that we disagreed with one another, but we just talked about it like two adults, basically. And the points that were being made, I didn’t necessarily always have a kind of a defense to the arguments being raised, and that got me thinking. And I think probably in the middle of those discussions with this friend—cause I used to be part of a small group of people who would go out investigating alleged hauntings, but we did it with the intention of finding a ghost or looking for evidence of ghosts. Around that time we went on an investigation to this pub in the city of Swindon, and we caught the landlord faking activity, we literally caught him red-handed. And it made me realize that actually, we weren’t really as aware of our surroundings as we had always thought that we were, and we were not 100% in control of the case and the stuff going on in the location whilst we were there. We were not aware of everything going on, and I think that was probably when I had the lightbulb moment and realized that we probably could have been tricked on other occasions. And if it wasn’t necessarily tricked by somebody kind of outright committing a hoax, we could have been fooling ourselves without necessarily realizing it, because we were not aware of everything that was going on around us, that was kind of when I had the lightbulb moment. And at that point, I didn’t initially become immediately involved in the skeptic movement, but a friend of mine at the time just happened to be…he was sort of looking to maybe start a podcast on which he would talk rationally about the latest kind of paranormal news stories, in the newspapers and on the internet, and I happened to…something a bit like this, where I was talking, it wasn’t a podcast, it was like an online radio show. I did an interview with them, and he happened to hear this, and asked me if I wanted to do the podcast with him. So I did that, the podcast became semi-successful, we got quite a large following, which was great, completely unexpected. We’re not quite sure why…

Chris: Which podcast was this? Righteous Indignation?

Hayley: Yeah, it was called Righteous Indignation, and we honestly didn’t know what to expect, and then suddenly we were getting like 10,000 downloads immediately every episode, we just didn’t understand why, but we just carried on doing what we were doing, ‘cause obviously people liked it. And from there, somebody who ran a Skeptics in the Pub group in Nottingham asked me if I would go and speak for the Skeptics group, and I did, and then I started getting more and more requests and so I started meeting more and more people who were involved in the UK skeptic movement. And I realized that actually I got on with a lot of them, and we had similar interests, and they wanted to hear what I had to say, and it just kind of snowballed from there, really.

Chris: One can buy a lot of different devices on Amazon these days to help you find ghosts and detect spirits and things like that, have you encountered some of these devices, and can you tell us how they might work?

Hayley: Well, I can tell you that they don’t work. Yes, I’ve encountered some of them. There is a lot of money to be made from selling ghost hunting technology, and a lot of it tends to be stuff that’s been borrowed from other fields. So, EMF meters, for example, electro-magnetic field meters, they have a purpose, but ghost hunters sort of borrowed them and then adapt the purpose, and EMF meters will be used by ghost hunters to see if they can monitor any fluctuations in the EMF of a location. And if the levels go up and down, that will be attributed to a ghost. Largely, this sort of equipment is used to communicate with ghosts. So there’s something called electronic voice phenomena, which are these recordings that people make in an attempt to capture the voices of ghosts, and traditionally electronic voice phenomena or EVP as it’s known, as it’s shortened to, was always kind of done—you would record, and then you would play it back and hear the voices. But as technologies have developed, we now have these devices called “spirit boxes” on the market, and they sort of—the claim, at least—is that they enable you to do “live” communication with ghosts. And you turn the machine on, it basically skips through AM and FM radio frequencies, so you get this kind of juttery sounding all[?} and you also get snippets of the broadcasts that they’re skipping through. And it basically claimed that these noises and this skipping of the channels and the frequencies enables the ghosts to communicate with you, so they’re able to somehow, to use that to communicate with you.

Chris: Basically, it’s the sounds you used to get from an old stereo when you just spun the tuning dial…

Hayley: Absolutely. And it has a lot of white noise in there, too, and humans, we are sort of pre-dispositioned to find meaning where there is none. So if you’re sat in a house or a building that somebody has told you is haunted, and you’re listening to one of these machines skipping through, and you know that the building is supposed to be haunted by, let’s say…here in England we’ve got a lot of grey ladies. So let’s say that you know that the building is supposed to be haunted by a grey lady called Jane. You’re going to be listening for things that you would expect to hear—you don’t do it necessarily intentionally, so you’re not, you know, most ghost hunters aren’t out to sort of cherry-pick their data and to falsify data in any way that supports the idea that somewhere is haunted. But because we are pattern-seeking creatures, and that just happens to be the way that our brains work, you find the words that you would expect to hear in this jumble of audio. So it sort of, these devices sort of create false positives, which are then presented as evidence of ghosts. But largely ghost hunters will just borrow equipment from all sorts of places and adapt it into ways in which they can look for ghosts. So for another example, is the Microsoft Kinect which is a device which you can use to kind of interact with your game consoles—well, ghost hunters will use that to find ghosts. It kind of blows my mind, because it’s just really irrational, but it also kind of demonstrates—I think if you look hard enough, you can see ghosts wherever you want to see them, really.

Chris: Your blog, which has won an Occam Award, covers all kinds of different topics. I mean, you have opinions on all sorts of things, I mean you’ve written about..

Hayley: I do..

Chris: …sex workers, you’ve written about punching Nazis, you’ve written about all sorts of stuff…why don’t you elaborate on some of the other things you’re interested in?

Hayley: Yeah. So, I mean, the punching Nazis thing—I think that kind of conversation on my blog happened, I think probably just before, or in the leadup Trump being elected, or maybe just after. And it was sort of more commentary on the whole kind of alt-right movement that was happening in the US and these demonstrations that were happening on the street between basically fascists and anti-fascists. And how the people kind of got caught up in this discourse about whether it’s OK to punch a Nazi, and I think there was that chap, I can’t remember his name now, he was…

Chris: Richard Spencer…

Hayley: That’s him. Yes, he was being interviewed and then got punched, and a lot of people were debating whether it was OK to punch him. And so I just kind of wrote a blog post with my thoughts on that. And yeah, I’ll blog about feminism, and atheism, politics, all sorts of things, because even though my skepticism tends to be mostly about the paranormal, it applied to all areas of life and you know, these are topics that, they affect me but they also affect other people. And I’ve always just used my blog as an outlet for my ideas. I never realized back when I started blogging, when I was in my early 20s, that people would continue to read it and then nominate me for the award, which was lovely. And the number of people that read the blog has always surprised me, it’s always proven to be popular, but I’ve never really kind of wanted to only write about the paranormal. It is my blog in which I write about paranormal, but it’s also the blog on which I write about life in general.

Francis: Can people be divided into those that are sort just gullible, and those that know that they’re “taking the piss” or just lying to people? How does happen that somebody comes up with this stuff, and do they really believe it?

Haley: That’s a really good question, and I don’t think that there is necessarily a straight answer to that. I mean, some of the technology now has been influenced by American ghost-hunting television shows, so it’s hard to know. I mean, there’s an American television show called “Ghost Hunters”…follows a group called TAPS—I’m not sure if they’re still aired now or not, but they started using, for example, they promoted the use of a laser-grid pen on ghost hunts, it would enable you to see things moving in the dark. A better solution to that would be to turn the lights on, but when it comes to a ghost-hunting TV show, you have to…you can’t help but be a bit skeptical about their intentions when they’re promoting this sort of equipment. There are online stores and websites dedicated to people making equipment which is purposely built to help people find ghosts on ghost hunts, and it’s in their best intentions for people to believe that this equipment works; whereas on the other hand, you do have people who genuinely are interested in whether ghosts are real or not, and they’re not meaning any harm, but they are being illogical in the way they approach it. And when they sort of borrow equipment or adapt equipment, it’s because they think that they’re being rational, they think that what they’re doing makes them scientific. So there’s a whole range—it really depends on the equipment, and sort of who’s created it, ‘cause I think most of the time people have the best intentions when they’re making or adapting a piece of equipment, but there are those who definitely see it as an opportunity.

Chris: Earlier you said you had caught a landlord faking ghost things—can you maybe tell us more specifically what he was doing, and tell us of some other of your ghost-hunting adventures?

Haley: Yeah. So the case that I mentioned before, when I kind of had the lightbulb moment, the guy involved was the landlord of the pub. Ironically, the pub was called The Ghost Train, but I don’t think there were any ghosts there, especially after what happened. So we were called in—this is what was quite unique about it, was that we were called in. Back then—this is sort of like, 2005, 2006, I’m 18, 19 years old—and we get called in, and normally we call people to see if we can come in, you know. So we get called in by this guy because he’s convinced his pub is overrun with ghosts, there’s all this paranormal activity happening, his staff is scared, his customers are scared. And we agree to go in, and we’re like yeah, we’ll come and have a look, because we feel all like we’re the ghostbusters, basically. So we go down there, we get there, and you can—I think the moment we arrived, you could tell that something wasn’t quite right. Just the way people were acting, it was almost like they were in on a joke. But that’s in retrospect, looking back, I can say that—at the time, we didn’t really think anything was too amiss. So we started doing our investigation, we did like a big walk around the place. We had a psychic—we used to use a psychic—and he did his thing, and then we split off into smaller groups. One group would do one area, another group would work in a different area, and I wasn’t actually in the group that caught him; the group that I was with was very close to them, so I kind of caught the immediate aftermath of what happened. And the group had been…this pub had an outbuilding, which they used as a function room, and they had storage room in there as well. And the group had been in the function room, and they had heard what sounded like a mirror smashing in the storage room. They went in there to see if they could find the mirror that had been broken, and it had no light in there, there was no lightbulb, so they were using their torches, looking for maybe broken glass, or a broken mirror, or something like that. And they’re looking around, and one of the guys happened to turn to the door where another member of the team was standing, and as he turned to the door with his torch, his torch caught this figure sort of crouching behind the door. He screamed, obviously thinking it was a ghost—as you should, when you’re on a ghost hunt—but it was actually the landlord. What had happened was that the people in the pub had figured that the ghost hunters were in the function room, and the landlord had crept into the storage room, which was next door, and had thrown a glass across them, and then hidden behind the door in the hope that they would think it was a poltergeist or a [flying] ghost or something. But obviously, he got caught, but he only just got caught—if that person hadn’t turned when they turned, if they hadn’t been standing at that particular angle with their torch, we probably wouldn’t have known that he was there. So yeah, that kind of raised a lot of questions. But it’s hard to rationalize why somebody would do that. I think one of the members of the team actually went to talk to him whilst the rest of us were packing up to go—because we were like, yeah, we’re out of here, this is ridiculous—and from, if I remember correctly…it was a long time ago…I think he said something about wanting to be on “Most Haunted,” which is the television show that has here for, since 2002. He said something about Most Haunted, so we did wonder if he was trying to trick us into thinking he was haunted so we would then write about it, and then they could contact the show producers and say “we’ve got a haunted pub, look, these people came in and this is what happened to them, you should come and do a television show here.” I don’t know.

Francis: Were there any instances at all where you thought maybe something is going on here?

Hayley: Yeah, there have been lots, I mean, even as someone—I mean, I don’t believe in ghosts now. I do in a cultural sense, in…I believe that the cultures that we grow up in shape the way in which we interpret things, so I believe in ghosts in that sense, in that people genuinely think they’ve seen ghosts because of how they’ve been raised, with the folklore they’ve been raised with. Supernaturally, I don’t believe that there is anything, and I think when we die, we die, and that’s it. That being said, though, as a skeptic, as a nonbeliever who researches the paranormal, I mean it’s not that weird that I would experience weird things when I’m investigating them, because we know that they have a cause, we just established what the cause is. And if it’s a naturally occurring thing, then me going into the place that the weird thing happens in, means that I’m probably going to experience it. It’s just a case of trying to stay calm whilst experiencing it, so I can then try and work out what it is. That doesn’t always happen, and I have had the few occasions where I’ve wanted to just run away screaming. And I think the strangest things that I’ve experienced have always been those that—it’s not like a horror movie thing. So when something weird happens, it’s not necessarily terrifying, it’s just bit uncanny. And you don’t necessarily want to run screaming into the night, although sometimes that kind of flight-or-flight response does take over. One of the strangest things that I have experienced happened…there’s this mansion in Gloustershire called Woodchester Mansion. It dates back to the 1600s, I think—my history is not great—and it’s unfinished, so the stonemasons and the carpenters and everybody put down their tools and just left, and nobody really knows why. So you’ve got this half-finished mansion—it’s fully enclosed, but there are doorways that lead to three-story drops where there should be a floor but they never finished the floor. There are staircases that go to nowhere, all this sort of weird things. And we were in there—it’s a very spooky place, but nothing really happened. And then as we were leaving, I went to the bathroom very quickly on our way out—they don’t actually have toilets in the building, they got like a sort of port-a-cabin type thing like you get at festivals and so on, but quite a posh one—and so I went in there to go and use the bathroom in there, and as I’m in there on my own, something said my name from the other cubicle—there are two cubicles in the ladies’—and I’m in one cubicle, and something says my name from the next cubicle, or what sounds like my name, and I’m like that’s really funny, who’s there, like ha-ha-ha. And there’s nobody there. When I leave the cubicle, I look in—there’s nobody there, and when I go outside everybody is accounted for. Nobody had left the group, and…they’re all being serious, at least I believe they were being serious. And when we told people who had heard, asked the investigation to go ahead, they were like, yeah, that’s one of the things people experience. The weirdest thing happens in the most modern building on site, not the big spooky mansion, it’s in the porta-cabin everyone uses for a loo. So that was quite weird. And I think it was weird because afterwards—obviously I’m just replaying it over and over in my head, was that really my name being said? Was it just the plumbing? Was it, did I hear somebody outside and it sounded like they were inside? But I’ll never know…it was just a bit spooky. Another case we investigated took place over a number of years, it was a very long case. We would hear like a whistling noise—it would be as though somebody was whistling at us, and then when we moved to where they had whistled, the whistle would then come from somewhere else, but it was all very enclosed, so there was no way that there was anybody hiding. Yeah, just strange little things that you’ll probably never find an explanation for, it’s just a bit uncanny, really.

Francis: You know what I think? You know how there’s dark matter, and we just sort of like know it exists, but we don’t really have the technology or the senses to measure it or see it? I’m thinking there could be like, possibly, life forms that are the equivalent of that, or are like some kind of level of consciousness? I mean, I would leave room for the possibility that we don’t know everything that actually exists in this universe. But what I don’t think is that, if there was intelligent life that was sort of on this other plane that people call ghosts, right? Why would they just want to fuck with people?

Hayley: I think if I was a ghost, that’s exactly what I would do! I would kind of knock things over when your back was turned, and then you turn around and go “did that fall over? I’m not sure if that was like that before or not.” That kind of puts you on slight edge rather than just like, you know, chains and all that kind of stuff, like rattling chains and throwing the curtains from the windows…just the little things that make people think, “Oh my god, did that just happen?” I would totally do that. But yeah, there are different theories about what ghosts are.

Chris: …just paint “REDRUM” on the side of…on random walls, …

Hayley: Yeah, and instead they’re like “it’a a teenager, I think”…it’s, you know, a kid, it’s not a ghost. I was doing that thing where you make the cat just follow you around the room, like, with its eyes, and everyone’s just like cats just do that, it’s fine…I think. But yeah, when it comes to the paranormal, there are different theories, well, there are different hypotheses about what ghosts are. So one person might think that a ghost is a deceased person somehow still existing in spirit form, and another person might think that they’re an inter-dimensional being, another person might think that they’re a sort of elemental sort of nature-spirit…yeah, it kind of varies, and that can actually, it can make it quite difficult to counter arguments, because when it gets to the whole inter-dimensional elemental things, if you start questioning that people just accuse you of being a materialist, and how could a materialist ever understand? So yeah, sometimes it’s a bit of a…losing battle.

Francis: So one of the things that we like to talk about on this show is the future. And I’d be curious to hear…where do you think this world is headed right now, and how can maybe skepticism help to steer us in a better direction? Have you learned anything from ghost-hunting that relates to society in general, and maybe what some of our biases or superstitions are in terms of influencing our future?

Hayley: That’s a pretty deep question. Sort of yes…so, although I believe, personally, that when you die that’s it, I still find optimism in that, I still find meaning in that. So I refer it sort of being as like…nihilistic optimism, because it’s like “oh, there’s no point in life, isn’t it great.” And when it comes to people who believe in the paranormal, and belief in the paranormal, well, a lot of polls will tell you that more people believe in ghosts now than before. I don’t think that’s true. I think what’s actually happening is that people are more willing to talk about believing in ghosts than they were before, I think it’s seen as more acceptable. I also think at the moment the world can seem like a pretty scary place, you know, politically and so on, there’s just so much going on, there’s so much in the news that seems really bleak and really quite scary and terrifying. And I think that can make people turn to things like the paranormal and psychics and magic, so with Millennials, for example, of which I am one, more and more people are rejecting religion and they’re turning to things like crystal readings and tarot cards and so on because they find more comfort in it—which means, some of these things, they are relatively harmless. There are for people being harmed and sort of being taken for a ride by charlatans, so there is work that the skeptic movement can do to help people to understand how to sort of question things, how to look for evidence, what evidence actually is, what good data looks like, and so on. I can’t remember where I read it, something very briefly, very recently that showed, for example, that when it comes to the ant-vax movement, that it is possible to change the minds of people who believe that vaccinations are harmful, but it’s through kind of discourse rather than by belittling people. So I think that that kind of discussion-based activism and…rather than, you know, the looking down on people kind of approach that a lot of skeptics take, I think that is the way that the skeptic movement can make the future better, by recognizing that although we all believe in different things, there’s more that kind of unites us, more that we have in common with one another than we probably would necessarily think to begin with. And it’s through that kind of discourse and through the sharing of information rather than the pushing of opinions, that I think we can make the most change. What kind of happened with me when it came to my kind of own believing in ghosts to not believing in ghosts, that happened because the people that I was talking to didn’t tell me “you’re wrong, it’s because you’re stupid that you believe this” or “you’re an idiot, you’re wasting your time,” it’s because they kind of picked apart the arguments, but they did it from a sort of position because they wanted to help me see it for myself, rather than telling me what was best for me. And it worked, and I’ve then been able to go on and learn so much more about the way that humanity works and the mind works, and what makes people see ghosts, and the effect that grief can have on people and so on. And I generally do think that just talking to people, rather than talking at them, can make such a huge change.

Francis: One of the things that we struggle with in this country is, it’s been labeled as “post-truth” politics. It seems like no real recognition of what the real data is and what the false data is. And when you have people like Trump in there, even confounding that by calling “fake news” when it’s real news, it just makes it really difficult for people to know, I think, what the information is that they’re supposed to be evaluating. What would a skeptic say about that?

Hayley: I think it is a problem, and we’re not really taught these skills at school. There’s something called CampQuest which a friend of mine runs in Europe where young children—and I actually spoke at a CampQuest in England a number of years ago—and it’s basically like summer camp, but for kids who are interested in science and so on, and it teaches critical thinking skills. And I think critical thinking skills are so important, not just because, oh, Bigfoot’s not real and aliens haven’t visited this planet, but because that kind of skillset helps you in every aspect of your life. I think the skills that I’ve learned, as someone who became involved in the skeptic movement, has definitely helped me in my career, in my day to day life, in my health, and so on. And I think it’s such a shame that we’re not taught these skills from a young age. That said, when you see—especially in the UK at the moment, with this whole Brexit thing that we have going on—you see people kind of just spouting the same misinformation because it’s fed to them in a way that appeals to them. So our biases are against us, in a way—and yeah, unless you have those critical thinking skills, it’s really difficult to spot that happening. It is a real shame.

Francis: Yeah, I think we have a real problem with lack of good journalism. Like a lot of independent journalism, maybe? “Cause there was a time when you had all these different sources, and you could kind of figure out for yourself which of them is more accurate, you know, get a bigger picture by combining, that sort of thing, but it’s almost like we have these, like, this one voice that gets distributed through all these different mainstream media news sources and news companies…and it’s, I think, a huge issue that we lost that.

Hayley: Yeah. And you see the same kind of patterns where people will accuse certain news outlets of being biased, when that actually might not be the case, when you take a step back and look at the claims they’re making, or the coverage they’re giving, it’s quite balanced, you know. I think one of the problems we have here in the UK at the moment is—and I think this is the result of, that the 24-hour streaming television news cycle and so on—over here, you find a lot of the extremist politicians are given a lot of air time because they make themselves readily available to fill the time slots that producers have to fill. And so you find that you get their opinions being given equal footing as maybe a well-researched, well-rounded politician who knows what they’re talking about. And you get that a lot in politics, so we’ve got a lot of kind of Brexit debates happening here at the moment in the UK, but you also see it elsewhere. So you’ll have television shows who will cover things like the measles problem that we have, where people are not getting vaccinated, so measles is starting to spread again, and they’ll maybe interview a doctor, an then they’ll interview someone who’s anti-vaccination who isn’t a medical professional, but gives them the soundbites and the airtime coverage that they need. And these people are given equal footing, and therefore the viewing public, whom, if they don’t know any better, will think that those two opinions are worth the same, and then they’ll just pick the one that fits their own biases rather than the program maybe challenging the misinformation they have in their heart—it gives it sort of an airing, as though it’s equally balanced, and I think that’s a huge problem.

Francis: Do you think that a society that works in competition, like with say, free market capitalism, is as robust and desirable as a society where people are more like thinking we’re all in this together, and work together for common causes?

Hayley: It’s difficult to know for sure, because I don’t think…I would love society to kind of think that way, where you can all kind of work together, but I think the divides within society are just so, there are just such wide divides in society that that would never happen. But I do think people, when they work together, you know, major things can be achieved. But in an ideal world, perhaps that would happen, but we don’t live in an ideal world, do we?

Chris: But I do see, both with grassroots—not just in skepticism, but I see a lot of positive forward motion going on right now among small groups who are seeming, you know, to have some great effect, and that’s what makes me optimistic.

Hayley: I mean, politically in the UK we recently had the Independent Group, who are a bunch of politicians who have split away from their main parties. Some people see that as an optimistic move, rather than being tied to their party line, these politicians haven a stand, which is encouraging. And we do have voices emerging in the politisphere, like Jess Phillips for example who is a Labor MP. She’s received a lot of online abuse, but she’s taking a stand, and you see a lot of people supporting that. And I think in that respect, the tide is turning. I think that has some parallels with the skeptic movement, actually, especially in the US. The US skeptic movement there has been a huge issue with women being harassed and abused and assaulted even. But what you find is that the skeptic movement, when it came to that stuff, I think, were ahead of the curve on those problems. I mean, now we have things like the MeToo movement and so on, the Womens’ Marches happening—but the skeptic movement was ahead of the curve on that and were calling it out before it became like a mainstream thing, which is kind of encouraging, I think. I think there’s definitely cause for celebration, I think there are people who have been kind of put down and put upon a lot, minority groups and so on, who are standing up and being counted and being heard. And I think that’s great, and I’m always in support of those sorts of grassroots movements, definitely. And of course in the US Skepchick have just re-launched their blog, which is great news.

Chris: I was wondering what Rebecca was up to lately.

Hayley: Yeah, they just re-launched, which is fantastic, I think.

Chris: You’ve been on a couple of podcasts in the past, of your own. You had Righteous Indignation, and you were Marsh’s parter at the beginning of Be Reasonable—which by the way has become one of my favorite podcasts, because it makes yell every time I listen to it…

Hayley: [laugh] It used to make me yell when we recorded it, let alone listening to it. I’ve got a podcast at the moment that has been going since about…I think 2015, actually, called the Spooktator podcast. And it’s more paranormal themed than the Righteous Indignation podcast or Be Reasonable were, although those podcasts both did touch upon paranormal themed stories and interviews and so on. The Spooktator I co-host with my friend Paul Gannon and another chap called Charley Revel-Smith. It’s a monthly podcast, though we are looking at releasing more on a more regular basis if we’re able to. But we basically examine weird things in the news, but also things that are happening culturally and socially, and movies and so on, all that have a paranormal theme to them. We also look a lot at folklore and how it kind of influences modern media and so on. And so for example, in the last episode, we spoke about the Ohio Frog Man, and how some people think it’s linked to some recent sightings of the Kentucky Goblins—which sounds, to anyone who’s not interested in the paranormal, just sounds completely ridiculous. From a cultural aspect, it’s quite interesting, and when you pick apart these stories you start to understand why people believe things in the way that they do, and where these claims come from and how they spread. And so, yeah, we produce the Spooktator—we’re basically just three people who are giant paranormal nerds who have an interest in these things and we found there are lots of other paranormal nerds out there who like listening. So it’s really cool.

Francis: So how is your interest in the paranormal evolved? Like, you had your original, genuine curiosity about its veracity, I guess…but as time’s gone on, what’s kept you interested?

Hayley: So at the moment, I’m studying toward a psychology degree. So I’m really, I found I’ve gained more of an interest in how people think and why they think that way. So over the years—obviously, originally I believed in ghosts, so I was interested in ghosts and ghost evidence and so on, and then I lost that belief. So I sort of became more interested in maybe—not necessarily debunking, I don’t really like the word “debunking”—investigating and solving mysteries. And kind of pointing out when somebody was hoaxing something, that kind of thing. I still do that to an extent now, but now I’m more interested in what causes people to think they’re haunted, but I’m also interested in the people at the center of these cases, because you normally find that the things people report as paranormal activity have some sort of either a physical health, or a psychological health, or a social theme underpinning them. There are usually other causes that are making people interpret things like that. I’m also interested in how belief can influence people, and also experiences of bereavement and grief and so on. Yeah, so I…kind of more interested in, probably, the people than the ghosts, but I am still fascinated in the idea of ghosts and so on and why people—even though we can demonstrate how it’s not necessarily possible for them to exist, how people are still fascinated and still believe in them.

Chris: But I always find UFO stories interesting, because I’ve spent a lifetime reading science fiction which has aliens in them, even though the evidence for actual aliens visiting our planet is nonexistent. There’s always part of me that hopes, you know, SETI finds something on its radio or what have you.

Hayley: Yes. And I think the sort of thing that I find really interesting is how, when it comes to the, when you ask people what a ghost is for example, they might say something like, a headless horseman. But actually when you look statistically at the records, there have been very few headless horsemen reported over the years, and I find it really interesting the sort of characteristics of ghosts that survive, but for no real good reason. I think it’s really fascinating how we carry these ideas, and also the way in which, for example, traditionally in England you would have had your haunted crossroads, which is where people who had taken their own lives would have been buried. And so you would have the haunted crossroads, but now we don’t really have haunted crossroads anymore; instead, we have sort of roads traffic-accident hotspot ghosts instead.So you would have seen ghosts kind of lingering on the side of the road near the crossroads before, but now you see them where people have passed away in car accidents. And so the evolution of ghosts is also quite cool to look at, and the way in which ghosts emerge after tragedies as well. So after the 2011 Tsunami in Japan, there was this almost unpredictable, really, there was this flurry of sightings and reportings from taxi drivers who said they kept getting people getting into their taxis and asking to be taken to, like, a town that had been devastated, just completely wiped out in the tsunami, and halfway on the journey they’d look back and the person who’d gotten into their taxi would not be there anymore. But they would carry on the journey to the place, and they would out and they would open the back door of the car so that the ghost, in their mind, the ghost could then get out and complete their journey. And I found that really, really interesting, the way that that kind of story evolved. I think for as long as humanity—and when you look back, we kind of see these cycles—for as long as humanity survives, ghosts will survive. When times are tough, and when life is harder on people, ghosts tend to flourish and people tend to rely on them, trying to get through the bad times. And I think that kind of makes ghosts a little bit cool, really, I don’t know. But I am a little bit biased.

Francis: Well there’s kind of a myth to it, you know. It serves a purpose that’s similar to way myth works in societies. What’s interesting to me too is that it almost seems like there’s less interest when you’re talking about ghosts and whether it corresponds to, like, Christian ideas of good and evil, and that kind of dualism where…say, for example, with exorcism, it’s an evil spirit that’s taking over a person, but with a ghost it seems more neutral or something.

Hayley: I think it depends on the person that becomes involved in the case. So we do have a problem in paranormal research communities with people who are sort of these self-styled demonologists and self-styled exorcists. In America, for example, Lorraine Warren just passed away…

Francis: She’s the Amityville woman?

Hayley: Yeah, that is what she was best known for. And Annabelle, the haunted doll, those sorts of cases. But they did a lot of cases, and the common theme through most of their cases, if not all of them, was that the devil did it, so any of the hauntings they came across, it was demons and devils, and you needed the church, you needed to pray, and with their doing exorcism. And that kind of stuff is really dangerous, because nine times out of ten—well, actually that’s a statistic I’ve just made up. But more often than not, when it comes to these cases, there are underlying causes, and these have to be considered first. You have to consider, are the family recently bereaved? Because that is a huge trigger for these things. Is there an underlying mental health condition? Is there an underlying physical health condition? Is there a social issue there? You know, you have to think about the social-cultural experiences that the person’s going through. Are they living in poverty? That can affect the way in which they interpret things. But a lot of people don’t consider these things, and a lot of skeptics don’t consider when they then start tackling the people as being deluded or stupid. And it’s just not the way to solve these cases.

Francis: Is there a particular psychological predisposition to believing in ghosts that you’ve been noticing?

Hayley: I just think that confirmation biases play a huge role when it comes to these things. Whether that is…I mean, I’ve spoken a lot about the bereaved, or whether it’s because you’re in a house that’s said to be haunted. There are so many ways in which you can convince yourself that something’s going on, and then you start to see evidence of it where there is no evidence. And, you know, seeing meaning where there is no meaning, whether that’s in audio or perhaps in photos or video—so many photos have been sent to me over the years where it’s literally people just seeing things in the pixels of their photos, their badly lit photos—to the more traditional sort of spiritualist methods of tipping tables and doing ouija boards or dousing and so on, all of these things rely on our sort of predisposition to find meaning when there is none. And I think the most important that a person can learn about this, not only that you do that, not only that see things where there are not things to be seen, but even when you know that you do it, you still do it. So you can be a nonbeliever who knows how a ouija board works, you can then take part in a ouija board sitting, and it can still work and still feel really [?], even though you know how it’s working, and it’s because you sort of had this illusion of how in control you are of what you’re experiencing, but actually, when it comes down to it, we are sort of not as in control as we would like to expect. And I can remember doing a QED con one year, actually, I remember doing a glass divination session with some skeptics in the bar of the hotel that the conference was in, and they thought it was quite funny ‘cause the hotel was said to be haunted. And they were like, “oh Hayley, show us how we can talk to the ghost!” So we took a glass, an empty glass, we turned it upside down, got our fingers on it and I started doing the old ghost hunting thing of like, “is there anybody there? Make the glass move, show us that you’re here”—and then it moved. And everyone round the table crapped themselves almost, because they just hadn’t expected this glass to move at all. So even though they knew it was unconscious muscular movement that was doing it, it still happened, and produced this really uncanny experience for them. So even when you know how it works, it still happens.

Francis: Oh, so is that the basis for ouija boards?

Hayley: Yes, it is. And anything, basically, that you need to touch, whether it’s table-tipping, ouija boards, glass divination, or dousing crystals or dousing rods, anything like that that you need to touch, you are moving it, whether you mean to or not, you’re probably moving it.

Francis: I’ve never been able to get a ouija board to work. Someone gave me one as a present, and I tried to give it back, ‘cause I couldn’t get it working, and they wouldn’t take it back.

Hayley: [laughter] Yeah, I mean it doesn’t work all the time, especially if you’re really hyper-aware of it, you can…so it’s unconscious muscular movement, which means that you don’t, you’re not doing it on purpose. But when you become super-aware of how much pressure you’re putting onto the planchette, you can actually stop doing it. So one of the things that I used to encourage ghost hunters to do, when I used to talk at paranormal conferences, I used to say to them, when you’re doing your ouija boards, take some putty or some play-dough type stuff, put it on top of the glass, and if you’re pushing it your finger will imprint into it. And actually just by putting the putty on top of the glass, they became super-aware of how much pressure they were putting on it, which meant they put no pressure on it, and it didn’t move. When you kind of start putting those controls in place, it just falls apart completely. But then, that just makes me a party-pooper.

Francis: When I think about my friends and the experiences that I’ve had with people over the years, the one paranormal thing that comes up a lot that people really seem to believe in, are these mediums who can kind of, either talk to the dead, or even a pet, like there are some pet mediums—is that what they’re called, mediums?

Hayley: Yeah, mediums or psychics..

Francis: …psychics, yeah. I mean, there are people who swear on this. You know, “this woman, she like, somehow she knew I had this blue shirt when I was 12”…I’m wondering, what is behind that? Why is it that this seems to be so prevelant?

Hayley: It’s really fascinating, and yeah, some of them can be really, really accurate and quite scarily accurate actually. I once sat with a psychic who just out of nowhere pulled out the name “Mandy”—and I’ve got an aunt Mandy, and it’s not a super-common name over here. And I was just like, whoa, that’s really creepy. But actually then somebody pointed out to me that when you think about it, you probably know someone called Mandy—if not Mandy then Amanda—it’s kind of about chance. And there are, the most two common ways that psychics can trick you—this is the thing I need to point out as well. When we talk about “psychics,” it’s really important to understand that there are some people out there who say that they’re psychics, or say that they’re mediums, who genuinely believe that they are. And actually it’s probably that they’re just very perceptive people, and we…cause we all have the ability to read people. Like when you walk into a room, when you’re talking to someone, if they’re shuffling around the way they’re standing, the way they’re talking, the inflection of their voice; that kind of thing, the clothes they’re wearing—you instantly make judgements about them. They might not be correct judgements, but you instantly start picking up on things about them. And some people are just very good at it, and then think that their perception is “extra-sensory” when actually it’s not. But when you then go to the other end of the scale, where you have people who claim to be psychic but are not psychic, one of the tricks that they use is called “cold reading”—it’s where you say things which seem really personal but actually they’re quite vague. So things like you used to have a blue shirt that you used to wear a lot, or you had a grandmother that’s passed away, or you’ve got a bruise on your knee or you sometimes get sore knees, or you had a dog when you were young who was like the best family dog you ever had—things like that, that actually, when you are at a psychic show, seems really personal to that person, their reading, but there are probably ten people in the room that that could apply to. On the flip side of that, you have “hot reading,”which is when they know information about you because they’ve researched you. And we…

Chris: …that article in the New York Times that Susan Gerbic wrote, where they caught one of these stage psychics actually using Facebook and looking up stuff about the people they were talking to.

Hayley: Yeah, exactly. I was gonna say, we share so much information online without necessarily realizing we’re doing it. I’ve got a friend called Ash who does this show, “How to Be a Psychic Con Man,” where he literally stands in front of an audience of skeptics and convinces them that he has psychic powers by doing all of these psychic readings, and actually they’re really, really specific readings. And I remember going to one of his shows, and I sat in the audience next to the guy called Andy, and I looked over his shoulder and I saw his name, I saw he was on Facebook, I saw his name, I went out the back to where Ash was getting ready and I sat down. We went onto Facebook, we found this guy’s profile, and we found all of this information despite neither of us being his friend. And then Ash basically memorized that information, went on stage, and then part way through the show, just started doing this reading on this guy, and the stuff that he was saying was so specific that even though this chap in the audience was non-believer, he was physically shocked that Ash was picking up all this information about him. And I had been privy to that, and actually even though it was then revealed to him how it had been done, I felt really uncomfortable that we had done it, you know. But it was all in, you know, part of the bigger lesson basically. But yeah, there is so much information about you out there that you probably don’t realize. And you find that a lot of people who go to psychic shows will go to their local spiritualist churches, and some of the psychics will then go along to those spiritualist churches, or people that work for them will go along for a couple of weeks, and they’ll listen in to what people are saying, what readings are being said and so on. And then they’ll pick up on that information, and they’ll use it in their show. And historically in the US, obviously, is the now-infamous case of James Randi versus Peter Popoff, where James Randi exposed the psychic Peter Popoff as using an earpiece, and his wife was feeding him information about audience members. You can’t always trust what people are saying—they might think that they’re psychic, and they’re just very perceptive; they might just be feeding you information that seems really specific but it isn’t. So if you are having a psychic reading, one of the best things you can do is record it, and then listen back to it and see how many of the statements were right, because we’re also really good…we’ll remember all the hits, but we’ll forget the times when they said something that doesn’t make any sense to us. So listen back to it, count how many times they say something that doesn’t make sense, and then ask yourself if the things that do make sense could make sense to other people as well. And actually you’ll probably find most of it does.

Francis: Do you think that there are nascent human capabilities that get misconstrued as paranormal? Like say for example, things like intuition or I guess maybe telekinesis…just things that, who knows that maybe we could evolve someday into having some new capacity? Is there any sense of that in the paranormal?

Hayley: I’m not sure, to be honest. I mean, people do think that, as paranormal beliefs. When it comes to things like telekinesis, I’m quite skeptical. When it comes what may…

Chris: …and a lot of this has been studied, formally. The United States…

Hayley: It has.

Chris …government funded a lot of this study, the Soviet government funded a lot of these studies, and they came out with the null hypothesis in all cases.

Hayley: And there is a field of research called parapsychology, which continues to study ESP and PSI and so on, to see if these things possibly exist. Some people argue that the evidence is there, but actually, again—this goes back to what we were saying before about being able to critically analyze data, and the way in which data is captured—and when you look at the sort of tests that have been done over the years, so the [zena] tests for example, and other such cases, you find that the protocols in place might not have been as stringent or as controlled as they should have been, which may have allowed kind of positive data to creep in that wasn’t actually positive data, it wasn’t, you know, kind of proving the hypothesis at all in the way that they had predicted it would. But there is a lot of debate, and actually when it comes to this sort of topic, it gets quite heated. For example I’ve blogged previously about parapsychology and caused huge arguments, and had a lot of abuse sent my way, because there are so many people who are just absolutely sure that humans have these powers, and it can get quite ugly when you start to question those claims.

Francis: It would seem easy to demonstrate, if you could do that…reproducibly…you know, there wouldn’t be any argument. I think humans, though, they do crave magic. I mean, look at how popular Harry Potter is.

Hayley: Yeah, exactly. And I don’t think that will ever go away, I think people will always have paranormal beliefs and magical beliefs. As I said before, millennials are kind of less religious than the previous generations and more interested in the magical and in witchcraft and so on. And I think that will always be the case, so you do get skeptics out there who just seem so affronted by the idea that anyone could believe in anything that isn’t scientific, but that’s just reality. Well, it’s their version of reality, but them having that version of reality is reality, people are always going to have these beliefs. And it’s really easy, I think, to kind of get caught up in the whole idea of how it can harm people, or it’s really harmful to believe that because you could get ripped off, and yes there is harm to be done through these beliefs. But ultimately, that’s not going to stop people believing in the things that they think are real. So I think taking it personally is, I think, just a very easy way of getting frustrated all the time. And in the skeptic movements, you do see a lot of people who do get frustrated and it’s just pointless.

Francis: I think a good point that it’s in some ways a big distraction, because if people are suffering, if we need change, looking to magic to make it happen, you know that’s definitely, probably not the most effective direction to be going in.

Hayley: Sure, no exactly. However, there has been research—it was a while ago now—but there was research done that showed that people who had lost a husband or a wife, that the majority of the people involved in the research, they were kind of interviewed at stages following their bereavement, and within the first ten years after the death of their spouse, the majority of them reported that they had experienced the ghost of their dead husband or wife, and that it had comforted them and it had helped them through their bereavement. So although believing that their husband or wife’s ghost is in the house could have opened them up to harm, you know, they could have been preyed upon by a psychic or whatever, ultimately it helped them come to terms with the tragedy they had gone through. And I think there are definitely positive aspects to be taken from that, so I don’t think it’s necessarily black or white when it comes to whether magical thinking and paranormal beliefs are a good or a bad thing.

Chris: Well, with that said, we’ll ask you the same question we ask all our guests at the end, and that’s—-is there anything that you’d like to promote or publicize or pimp?

Hayley: The only thing that I would like to share is my blog: it’s I post there as often as I can, and it is just things that occur to me, things that I find interesting, my takes on weird paranormal things.

Chris: And we should remind everyone you’re not the new Congressman….

Hayley: No, I’m not that Hayley Stevens, I’m the other Hayley Stevens. And there’s an equestrian called Hayley Stevens, and then t here’s me, the ghost hunter.


Making Better Episode 7: Penny Arcade

Since first climbing out of her bedroom window at age 14 to join the fabulously disenfranchised world of queers, junkies, whores, stars, deviants and geniuses she has become one of the most influential performers in the world. By fearlessly displaying her singular brand of feminist sexuality and personal conflict she has garnered countless fans worldwide with an emotionally and intellectually charged performance style. Internationally revered as writer, director and actress, she has influenced generations of artists around the world.

(Click here to read a rather lengthy biography of Penny Arcade). Click here to follow Penny Arcade on Twitter in English, and click here to read a complete transcript of Making Better Episode 7: Penny Arcade.

Episode 7: Penny Arcade Transcript

Penny Arcade Making Better Transcript

(music) Welcome to the Making Better Podcast, interviewing some of the world’s finest thinkers about a more optimistic future. Now, here are your hosts, Chris Hofstader and Dr. Francis DiDonato.

Chris: Well, Francis, this is episode seven of Making Better, and we’re featuring Penny Arcade.

Francis: Yeah, Penny is someone that I’ve loved listening to for many years. I think the first time I ever heard her was at Saint Mark’s Church on New Year’s eve, which is when—used to be like so many of greatest Beat artists and other poets would be there reading for the New year, and you’d kinda get the sense of where the world was at by listening to them all, and Penny really stood out. I remember at the time thinking, who is this person? And I’ve followed her through the years, and her performances and I find her take on the world extremely well-thought-out and visionary, and I think people will really enjoy her.

Chris: I agree. I think this is one of my favorite episodes so far, and it’s not often you get to talk to a real 60s radical anymore.

Francis: Not only that, but someone who was the type of a radical where they didn’t have to sort of apologize a lot for the naivete of their youth. A lot of what Penny has believed, she’s believed most of her life and I guess history’s borne it out.

Chris: So without further ado, let’s get on to our interview.

Chris: Penny Arcade, welcome to Making Better!

Penny: Oh, OK, hi! (laughs)

Francis: Hey Penny,

Penny: Hi, Francis

Francis: …I’m so exciting to spend some time talking with you now, and I think it would be great for our listeners if we could just start a little biographically…and maybe you could talk about where you came from, and …

Penny: OK. I’m first-generation American, I’m the first person in my family born in America. My mother’s family, who I was mostly raised with, are from Baslikata*, which is the Appalachia of Italy, it’s one of the very, very poorest parts of Italy and it’s a place where the people were fundamentally sharecroppers. So I come from people who were slaves not in the 17th century, but in the 20th century. The vast tracts of land were owned by the nobility, a nobility that did not live anywhere near where these lands were. So I have always been anarchic. As Judith Molina once said to me, “Penny, you’re an optimist, because you’re an anarchist, and all anarchists are optimists.” So yeah, do I think that the world could be a better place? Yes. Do I think that that’s gonna happen? No. Why? Because of human nature, and we’re living for the past, seriously, 30 years with the commodification of rebellion. So all these people who have 27,000 tattoos, they all have the same tattoo as everybody else, ‘cause they all want to be different like everybody else. They were gathering down at Occupy, and eating french fries from McDonalds. There’s a real schism in the intellectual life of Americans. Americans are not political people; they have a culture of being political, which mostly at this point buys down to buying Che Guevera t-shirts for their four-year-old children. This thing that everybody’s waiting for to happen, that’s really really bad, that everybody’s afraid is gonna happen—it’s already happened. OK? It’s already happened. So, for me, I don’t believe you can change the world, but I do believe you can change the world around yourself. I came up through the 60s, I was involved with Yippie!, which was the Youth International Party with Abby Hoffman. I was involved with Up Against the Wall Motherfuckers with Ben Morea, that did preach armed revolution, and at that point, in 1968, 1969, there was a radical left in this country. There hasn’t been a “Left” in this country, honestly, since when? Since the 60s. There’s no Left in this country. People have a lot of fantasies about their political involvement, but they don’t want to take a really hard look at what the real situation is, and the real situation is, take it to the streets. Listen, the last big demostration we had in New York, which was the one where the infantilized women with their little pussy ears—there were three cops at that demonstration. That’s how worried they were. Three cops at the whole demonstration!

Chris: In the old days, there’d be three cops just watching me.

Penny: Yeah. Exactly. So, you know, I think people are walking around, everywhere I go I hear people talking “oh, they’re talking truth to power, I was just talking truth to power this afternoon.” These people are seriously narcissistic fools. I mean, you don’t talk truth to power and win.

Chris: Nobody wants to go to jail.

Penny: Wells they definitely don’t want to go to jail, they also don’t want to be hit in the head. And the police do hit you in the head, you know.

Chris: I’ve personally been arrested 24 times in civil disobedience actions, so, I know the routine.

Penny: But we’re living in a period where there is such a fanciful idea that people have, that they’re being pro-active, meanwhile, how many states are already ratifying anti-abortion? And then everything’s fragmented, so culturally, what you might call the Left, is completely…

Chris: …people like Bernie Sanders, and AOC…

Penny: No, but what I’m even talking, I’m talking more about whether it is minorities, women, or what are now called “queers,” it’s all been micro-sliced. There is no coalition. And you cannot achieve anything without coalition. So, you have the Black Lives Matter people, which I try to connect them with class issues—they could care less about class issues. You know, everybody’s got their own thing, like all the gay people who are so ill-informed that they don’t realize that if we lose Roe v. Wade, we lose LGBT rights, because the ACLU wrote the gay liberation, I don’t know what you’d call it…contract, let’s call it, on the back of Roe vs. Wade, as unnatural acts. So that they used the unnatural so-called act of a women getting rid of a fetus from her own body, and they had it cover the unnatural so-called unnatural acts of same-sex sexuality. But people are oblivious to these things, and so people are only interested in their own little plot, happily digging away in their own little plot, whereas the right wing forms coalition with anyone. As long as you hate the rights of other people, you’re welcome to coalesce and be part of the coalition with the right. I mean, but you know this is not just happening in America, it’s happening world-wide, and we have been warned about this, not just since George Orwell, but all the way back to the beginning of the century with Brave New World. And people have not listened, because people don’t listen until it happens to them. I tried to do housing activism in this neighborhood of the Lower East Side in the mid-90s, and there were like twenty-seven million 20-year olds with multiple piercings and tons of tattoos lined up in the cafes of Avenue A…you couldn’t get them to one demonstration. But the second that they’re about to be evicted out of their building, suddenly they become interested in housing rights. And all of these things are the same, it’s the same thing with feminism. You know, the MeToo movement supposedly created this burst of flower of feminism, but feminism does not mean that you care what happens to you and your eight friends, it means that you care about what happens to all women. And the failure of feminism has always been the way women betray women, and women continually betray women.

Chris: The feminist movement started that way, with Sojourner being kicked out and Helen Keller being kicked out, and Elizabeth Cady Stanton being kicked out, all for raising issues of race or..

Penny: Right. …and class. Race and class.

Chris: Helen Keller was social justice.

Penny: Right. I don’t really know where it’s gonna go, because everything’s so fragmented now, it’s not like you’re gonna get any kind of real group of people…I mean, everybody wants Trump impeached, I’m like, Trump is not the problem! Pence is the problem—Trump has no values. Pence has tons of values and they’re all evil. We’re living in a world of disinformation, we’re living in a world of fragmentation, the promise of the internet failed…

Chris: I don’t think we can entirely conclude that. I think it is failing right now, but we don’t know where it will be in five years…

Penny: OK, but what I’m talking about is, the idea was that people would be connected. And the result is, that you used to be able to get more information from just walking down Avenue A, about what was happening in this neighborhood, than you can get now, with all of the social media that we have. Because of the algorithms and because of human nature. People want pleasure, people do not want to do anything that is uncomfortable. And when I talk about the failure of the internet, baby, fifteen years ago, if I was researching something, and with my clever mind where I could come up with multiple, multiple multiplying, over and over and over, every single one of them a closed door that you come to that’s another www-dot-zi-doc-dot something, that leads nowhere. There is a real failure to the internet, because the internet is not free. The internet is owned, and it is manipulated, and I’m not a programmer and I’m not a tech person. But I know, I’m a user, and I can tell when it’s impossible to get anywhere with the internet compared to what was going on before. And about five years ago, I was at the McDowell, doing a McDowell residency, and there was a wonderful young woman whose name I’ve forgotten now, who is a worldwide web activist, and she presented a program to, I don’t know, 40-50 artists who were gathered at McDowell, talking about what was really going on with the internet. Those people could care less—and these were supposed to be, you know, really investigative, artistic minds, right? And at the end, very very very, the talk was over and I just raised my hand and I said, “excuse me, how many people in the world are doing what you do?” She said, “oh, being activists for freeing the world wide web?” I said, yeah. She goes “oh, there’s probably about a hundred and fifty of us.”

Chris: We had Richard Stallman on the podcast as a guest, and he’s the leader of that movement.

Penny: Ok, so the point that I’m making is, the next thing that she said, “do you want to know how many people are employed by the forces of evil?” she said, “try five hundred thousand.” So the balance is really off. So before you can do anything about anything, you’ve got to face the true, real facts. You know, which means not just as a group, but individually. How far am I willing to go? What would I do? How much do I care? And I care about the working poor. I care about immigrants without papers. I don’t give a fuck about middle class people. As when the Matthew Sheppard demonstration happened—I can’t remember what year that was—and lots and lots of nice, well-meaning gays and lesbians went to the march and had their candlelit march, and then they were all completely freaked out when police on horseback started stampeding into them! You know? They were like “we don’t want a police state”—guess what? It is a police state! I’m not Miss Optimism here, but I am all for facing reality, and for what can we do, and I’m not sure about what we can do.

Francis: Could we talk about your life as an artist a little, too, because there would be a lot of people who aren’t…

Penny: Yeah, who aren’t familiar with my work. Like, everybody.

Chris: You’ve gotten to work with two of my heroes–

Penny: Yeah? Who are they?

Chris: Andy Warhol and Quentin Crisp.

Penny: Oh. OK, that’s interesting. Very, very diverse people.

Chris: But they were both profoundly interesting to me, so…

Penny: Yeah, well…everyone has their taste, don’t they? Right. Andy was a very interesting person, not that anybody could really experience really how interesting he was, because he was very introverted and alienated, I guess is what you’d say. He was a strange man in many ways. And Quentin Crisp was also a very odd person. I was very close to Quentin Crisp and I knew him very, very, very well, and he had an extraordinary intellect that, because of his—well, really, his belligerence—I mean, he really couldn’t hide what he was. For people listening who don’t know who Quentin Crisp was, he was an effeminate, gay Englishman who, at the end of his life, achieved a great deal of fame, one could say, because a film in the UK in 1975 brought the question of homosexuality into public discourse for the first time. It was called “The Naked Civil Servant,” and it was played on PBS, so it was not only in the UK and Europe but also in America. And Quentin became quite famous in his early seventies, and he was a brilliant, brilliant man. He was an aphorist, which means a person who comes up with one-liners, and an organic intellectual. He was quite, he had quite an extraordinary brain. But he was also very limited, because most of his life he was delegated to a very, very narrow social milieu. Because he was so effeminate, and because he could not hide what he was—as he said, “every closet door I knocked on, they said ‘not in here.’”

So, at any rate, my work, I started doing theatre…actually the first theatrical thing I ever did was, I somehow in 1967, when I was seventeen and first came to New York, I ended up with the Hog Farm. And the Hog Farm was a very famous commune in the 60s that roamed around America in busses, and they’re the people who fed everybody and did all the triage at Woodstock, so they’re famous for that. And I somehow knocked into these people as a homeless street kid might, in 1967, and they had a gig at the Electric Circus, which was a big performance place that catered mainly to Long Island teenagers and kids from the boroughs. And they were hired to be, like, professional hippies at this event, and I found myself unwittingly standing next to Wavy Gravy, also known as Hugh Romney, who in the 50s had been a pretty successful stand-up comedian, and then with Ken Kesey and these other west coast psychedelic people, he became Wavy Gravy and started the Hog Farm. And unbeknownst to me, I was standing next to him, and I guess he got this idea that he should put somebody up in the air over the crowd of kids who were dancing--Sly and the Family Stone were playing on stage—and he said, “we’re going to pick you up and we’re going to sail you over the heads of the people,” and I was like, “OK.” And I guess he chose me because I was small, and I went sailing over the heads of the people, and I think I’ve always had good instincts, I understand systems, so I tried to be very entertaining as I was sailing through the air, you know, not just be a lump of coal. And I ended up on the stage with Sly Stone and started dancing, and looked over at Sly Stone who was like, giving me super-dirty looks, like GET OFF THE STAGE, and I probably did the first stage dive in rock and roll history! I dived into the audience, and they sailed me back over the heads of all the people ’til I got to the very end and was dropped off. So that was my very first performance, and then not long after that, I was introduced to the Playhouse of the Ridiculous, which was the original glitter-glam rock’n’roll political theatre of the 60s that influenced everything from Hair to Rocky Horror to David Bowie. And the New York Punk scene—which I hate that term, “punk” because punk means somebody who challenges you to a fight and doesn’t show up—so I just was never “punk,” I’ve always been an outsider. Or in the 60s, when we didn’t want to be hippies, we said we were “freaks.” So there were freaks and hippies. So John (Vaccaro) who started the Playhouse of the Ridiculous really tuned in to the darkness that was in America that “Hippy is dead”—that was 1968, and they had a big funeral for the Hippy is dead in California, and also in the East Village, that was the fall of 67—either the fall of 67 or the fall of 68—was when Groovy and Linda were murdered in the East Village and then everything turned very dark. But Vaccaro was already—he was older, he was probably close to 40 in the late 60s—their manifesto is, “our situation is beyond the absurd, it is absolutely ridiculous.” So they were looking at the world as a place that had gone beyond the absurdity of Ionesco and the other people who were looking at modern life as a real degradation of the human spirit. And his theater was extremely political, he was the first person who had a rock’n’roll band onstage, and a lot of the people who came out of the Playhouse created what was called the first Punk scene, which was people like Ruby Lynn Rainer* and the Rednecks and Wayne County, who became Jane County, and he influenced the Dolls, the New York Dolls were influenced by Vaccaro…the Stilettos, which started with Elva Gentilly* and Debby Harry and then morphed into Blondie. So that’s kind of the milieu I come out of as a teenager. So if the theater that I was involved with in the 60s was about tearing down the fourth wall—between the public and the people on stage—then I grew up to tear down the other three walls. So I have made my own work since 1985, I started making my own work when I was 34, after performing for 16 years in other people’s work. And my work is political humanism, investigating the human condition, what it means to be human in 2019. My relationship is with the public, as opposed to with critics or with arts administrators, and it’s quite a miracle that I’m able to do my work all over the world, given that i make a lot people nervous. Not the audience so much, but certainly the gatekeepers, which is why most of your audience has never heard of me. Let’s put it this way: I’m not on Fresh Air, you know what I mean? 

Francis: So would you consider yourself a performance artist, a poet, a…

Penny: Well, I am first and foremost a poet. And for people listening, there’s many ways of being a poet. So I didn’t write poetry for a very long time, because I was very insecure. I still have a great deal of lack of self-confidence and lack of security emotionally. I know it doesn’t sound, I don’t sound like an insecure person, but you can be a really smart insecure person. So I believe what I perceive. I’ve spent years honing my mind, through reading and argument, and listening to people who are smarter than me, and being around people who kicked my ass and didn’t let me have soft ideas. I live every day as a poet and always have since I was a child, meaning I go where the day takes me, and my investigation is into my place in the world, my place in this life. And originally I fell into being an experimental theater actress, that’s what I did with the Playhouse of the Ridiculous, that’s what I did with Andy Warhol. Andy asked me to become a Warhol “superstar” in 1969 and I was in his film, “Women in Revolt.” I found the Warhol scene really boring…

Francis: Why?

Penny: Why? Because it was boring! It was boring, it was like a lot know…people act like the Warhol scene was like some kind of a French Foreign Legion that you joined—I mean, there was all kinds of people there, and it was mainly about how they looked. You know? And a lot of really crazy people who wanted a lot of attention for absolutely no reason. So Andy wasn’t discerning, he was neither discerning nor loyal. You know, people would come and be around and he’d have them be around, and it could be anybody. I always say that about the Underground, people always say, “oh, I wish I could be part of the Underground, I’m just not cool enough”—but the Underground’s not about being cool. It’s about being willing. People who were interested in those particular kinds of activities that were going on gravitated to a scene like the Warhol scene, and people tried to, you know, be part of it. I did not try to be part of it. Andy chose me from the Playhouse of the Ridiculous because he wanted people who were performers but who weren’t crazy. So that’s a real problem, not being crazy, if you’re an artist, because a lot of people are really crazy, and I’m not. I’m a very, very grounded person. I don’t think being an artist is special, OK? A lot of people want to be artists because they think it’s special. They think it’s going to set them apart from people, but I just don’t see it that way. And just like I don’t see being gay as being special.

Francis: I personally feel like the vocabulary of politics right now—it makes it impossible to have a really meaningful conversation and figure out what to do. Because in my mind, left-right politics, all that, especially when you get people who go to college and they want to be a lefty and they read all this old 19th Century stuff, and everything—but I feel like we’ve kind of come to this point now where there’s power that is held by very few people, you know the resources and the potential to affect that power, the potential to use technology and resources for the betterment of most people instead of very few, we never get that conversation going because we’re using all this old terminology, and it’s not…

Penny: i agree with you. I agree with you. Because most of it’s really poseur, you know? It’s not really people who really want to do anything. I mean, people call me an activist all the time, it’s written about me—I have never called myself an activist. An activist is what your community calls you, and they call you that usually after decades of selfless, anonymous service. And people just go around calling themselves activists, you know, it’s like you’re not an activist. An activist is somebody like Carmen Febone* who for like 60 years fed the poor on the Lower East Side and nobody knows her name. That’s an activist, you know? But this is the thing, it’s the gentrification of ideas. [tweeting in background] That is my bird clock, by the way. So a different bird will sing from time to time. [tweeting] That clock belonged to John Vaccaro, who passed away about, I don’t know, about six, seven years ago, and I inherited that clock, which means I have to think about Vaccaro every time it chirps. Someone was asking they were calling me an activist in an interview yesterday, and I said I’m not an activist. I think if I was a real activist, when I was in Zanzibar two years ago and I realized that they needed schools for the children there, and they needed fresh water in the villages, I would have stayed there and I would have made that mission my mission, because it was right in front of me. I’m not an activist, but I am a helper in my community. People know that when they have a problem, they can come to me and I don’t extend my help only to people I like. So in that sense, I am active.

Francis: [Do you agree] we’ve been revolving around the concept of inclusion, and how every everything is…I like how you used that term “micro-split..”

Penny: micro-splicing…

Francis: micro-splicing and, it’s so true that there’s all these little causes and they’re not connected…

Penny: There’s no coalition. The 60s worked because there was coalition. Now, you think that the powers that be don’t realize that coalition is dangerous, and so why not have all these little micro-spliced groups? And then what do you do with the college students? Because throughout history, it’s been the young who have led change in the world, because young people are always idealistic. And now all those kids, all those young people—if they’re at all interested in anything, which a lot of them are not, a lot of them are just operating in some kind of Kardashian reality—but the rest of them are all split up into little different groups. They’re either into Black Lives Matter, or they’re into the MeToo movement or they’re into trans rights or they’re into gender-fluid-queer-something. No…people do not come together to fight the common enemy.

Francis: Which is…?

Penny: Well, I would say it was that democracy was an experiment that failed. It never happened. We had more or less democracy at different points in this country’s history, but we never had a full functioning democracy. And I think that what really happened that people don’t look at is, the only trickle-down that ever happened was the trickle-down corruption at the highest levels of government and commerce, that happened with Halliburton and with Enron and all of these terrible scandals that we had in the 80s and 90s and 2000s, where honor, justice, honesty, all of these values no longer have any meaning in our culture. What has a meaning in our culture is, getting over. Did you get over? You got over? We respect you. Did you get the money? We respect you. We’re speaking right now from the Lower East Side, the East Village Lower East Side of New York, which, you know, in the 60s up to about 1983, there was a really big difference between uptown and downtown. People who lived downtown were usually aligned with left politics, they were anti-war, they were anti-rampant capitalism, they were for clean water, clean food, free sex and…meaning the freedom to choose…and it was a very big difference to uptown. And then around 1985, this started to change, and all of a sudden the values of downtown changed. So you would have a performer like Taylor Meade, who was also a Warhol superstar, but Taylor Meade came to New York in the 40s, he was a poet, he was aligned with the Beats and he was a very, very, very funny comedic actor. Well, he used to perform with Bill Cosby and all those famous comedians in the 50s, and when Bill Cosby would see Taylor Meade, who didn’t have a pot to piss in, Bill Cosby would sit down and have a talk and a drink with Taylor, and nobody thought, “oh, there’s Bill Cosby, he’s a multi-millionaire. There’s Taylor Meade, he’s poor.” Nobody would think that way, because the values didn’t include that. Nobody cared—so you’re a millionaire, so what? You had to have more going on than celebrity or money. That was an actual intrinsic value in the downtown art scene. That’s gone now. They’ll do a flip for Taylor Swift or for any other, you know, psuedo-celebrity—and I say “psuedo-celebrity” because to be a celebrity is different than being famous. To be a celebrity is to be celebrated for being able to do something. Taylor Swift is not rock star—Prince was a rock star, Taylor Swift is an insect. But the world has changed, and people don’t want to face it. So as you’re saying, Francis, that we’re using outmoded language, political language, the truth is that just everyday contemporary language is completely in a crisis where you can’t say anything, only certain people can use certain words…

Chris: And we need to remember fifty different pronouns…

Penny: Right. Exactly. And this is all—it’s just fascinating to me, because people think there’s some freedom in this. And the reality is that in the 80s, there was this huge politically-correct movement, which was the same thing. You couldn’t say “queer,” you couldn’t say “dyke,” you couldn’t say all these words or all these words you couldn’t say. And that was coming from the right wing. And now it’s coming from the supposedly the left. But I’m always, like freaking out when people talk about the Left, because what Left? You know, there is no Left. There’s nothing radical going on in America. Really, Trump got into office because of the abdication of the centrist middle class from the working class. The working class in this country is flipping out. Of course they’re going to go fascist. That’s what they do. Nobody cares about the fact that you cannot put food on the table for a family of four without both parents working two jobs. I grew up, my father was put in a mental hospital from a beating he received at Ellis Island when I was three, and I was raised by my mother and grandparents. And my grandparents were very elderly, and my grandfather worked til he was 78 years old, as a ditch digger for the city of New Britain, Connecticut, and my mother was a sweatshop seamstress. When I met Robin Morgan in 1967 at the Yippie hotline—Robin Morgan, for those of you who may not know, is a famous feminist, she was one of the original high-profile feminists in the 60s—and she invited me, Abby Hoffman gave her the other side of the storefront, and she started WITCH, which I do not remember what it stood for, but Women-ITCH, whatever it is, google it. They did the big demonstration against the Miss America pageant in 19…I guess it must have been 1968. I went to one of these meetings, she invited me to one of these meetings she was having, and I looked around the room and all of the women who were there—there were about eight women—most of them I knew as being the girlfriends of leftist political guys, including Robin Morgan. And Robin Morgan was telling me, “women don’t want to be housewives.” And I was looking at her, and I’m like, “my mother sews 70 hours a week in a sweatshop, she’d love to be a housewife.” I would have loved to have my mother at home. Are you kidding me? My mother would come home, and we couldn’t talk because she was exhausted from sewing in the sweatshop. So, you know, this privilege that accompanied a lot of these people’s ideas, you know I’ve always preferred the underclass. At least you can be direct with them, and you can be forthright and honest. I think the biggest problem that we’re facing right now is that it’s impossible to communicate with anyone. No one is allowed to stumble through ideas. In contemporary neuro-science, we know that you learn to form ideas by talking. You know, it used to be thought that first you were thinking, and then you spoke. But actually now it’s understood that you speak, and through speaking, you form ideas. And that’s the important reason for having a vocabulary, because the larger your vocabulary, the more expansive your thoughts can be. But right now we’re living in a time that is getting just narrower and narrower and narrower as far as expressing ideas.

Francis: Did you read Victorian literature? They were so elegant. Their vocabularies were immense compared to ours.

Penny: I know.

Francis: And, you know like…

Penny: I mean that was part of being seen as an intelligent person, was having a vocabulary. You know, I do my bit, I go to universities, and I talk to the kids. A lot of times they’re angry with me, and I say, “yeah, you’re angry with me,” I said, “but in 30 years I’ll be dead but you won’t have any water to drink.” You know, there are dark periods in history.

Francis: This is a dark period.

Penny: Yeah. And they usually last, like, 30 years.

Francis: It’s been at least 30…

Penny: Yeah…(laughter)

Francis: I remember I saw you at Saint Mark’s Church one New Year’s Eve, and you did this bit about the Age of Aquarius…

Penny: Oh yeah.

Francis: And how, everyone thought it was in the 60s but it turns out that it’s not for another 30 years or something…

Penny: Yeah.

Francis: ..or maybe it’s coming?

Penny: Well, I mean, the thing is that…look at what we’re living with. Monsanto. In what Kardashian world would anybody ever have thought, with the history of famine on this planet, that making seeds that only last one cycle is a good idea? Who thought of that?

Francis: Why is that even legal?

Penny: But it’s insane! It’s completely insane. When I was in Tanzania, last year, I met three biochemists, and they were telling me that in Uganda, Kenya and Tanzania, all GMO things are illegal. Because they’ve already lived with famine. They’re not falling for that. But look at what’s happened in America, the greatest of America once was that we could feed all the people who lived here, and that there was free education for everyone. And we are losing both. It’s staggering. I mean, in my lifetime—I’m gonna be 69 years old in another month and a half—and I never would have believed. This is something even with the paranoia the 60s, we could have never come up with this scenario.

Francis: No.

Chris: We were so paranoid as hardcore punk radicals, we were constantly…you know, we’d be hanging out at Frank’s house trying to figure out who among us was the CIA plant and everything like that…

Francis: Oh, there was definitely a couple.

Penny: Yeah.

Francis: They were the ones that interrupt constantly, and you know, like derail you, make sure you can’t accomplish anything…

Chris: I don’t think we were important enough for the government to worry about.

Penny: But the thing is that you still wouldn’t have been able to come up with the scenario that we’re currently living in. The thing that’s interesting is, I was in Australia during the presidential primaries, before the primaries. And one of the Australian political papers asked me to write a personal view of American politics. And I knew that Trump was gonna win. And nobody…everybody wanted to…”how did you know Trump was gonna…”

Francis: Yeah, how did you know?

Penny: It know, it was as clear as the burning cross on your lawn! It was what America wanted, it was the unspoken America, that that’s who they were aiming at. The America that thinks Trump is a successful businessman. I mean there’s something wrong with this world—they can publish, and promote, and say, that every single business of Trump’s has gone under, and you’ll still get a whole bunch of people going “he doesn’t to be in bed with the government, cuz he’s rich.” Americans are super-stupid.

Francis: Do you know what’s coming after him? Some Democrat or…gets in office and realizes that he totally gutted us financially. And then they’ll say, well, we have to responsible, we’re going to have to do some austerity again.

Penny: Right. Well the austerity should come from the government itself. Stop paying all of these retirement benefits of hundreds of thousands of dollars for all these people who’ve been Senators and been in the government. The whole thing makes no sense, none of it makes sense, and it’s not…it’s not something that can be fixed. So if it’s not something that can be fixed, the way I see it is, like, reminds me of how I felt on September 11th. On September 11th, when the plane went through the second tower and I was watching it from the roof here, and I knew that the plane was gonna go through the second towe—which all the people on all the roofs around me somehow didn’t know. And I kept screaming, it’s gonna go into the tower, and people were looking at me like I was crazy. I thought, OK, now we’re gonna get New York back again, ‘cause nobody’s gonna want to be here. And instead what happened? It became the go-to place. So what will happen is, there will be a series of cataclysmic natural events, that we already know, that our government is not prepared for any emergency. We saw it with Katrina, we know nobody’s minding the store. During Katrina we watched it on television for days. Like, OK, you can bomb the shit out of Yemen but you can’t drop bottles of water and food into that…

Chris: The Superdome.

Penny: That’s right. There’s something really wrong. I mean we already know that Americans can’t work. Americans have lost the capacity to work, right? They took all the jobs, and then…so we have several generations of people who have never had to really be able to do something. I mean, we are dependent on Mexicans and on people coming from Eastern Europe and places where people can still ..make things. I mean, I brought a pair of shoes—there’s a shoemaker on Second Avenue, and I had this pair of shoes that I bought in Scotland, and they had—they were real witch’s shoes, and the toe turned up. And I used to tell everybody they were flat when I bought them and then I put ‘em on and the toes turned up—and I had had them in San Francisco, in a theater that was very damp. And the platform, which was made out of foam, disintegrated. I went everywhere with these shoes, I tried so many different places; I brought them to England, I brought them to L.A., I brought them everywhere looking for someone to fix them. And I was up in Woodstock and this woman said to me, “by the way, if you ever need a shoemaker, there’s this great shoemaker in the East Village on Second Avenue and Third Street.” I thought that was the oddest thing that someone would say to me, so I went there with the shoes. I put them on the counter and I said, “Can you fix these?” And he looked at ‘em, he said “100 dollars.” I said “done. When will they be ready?” He said “in one week.” The next day I get a phone call, “they’re ready.” And I go and pick them up at another shoe store, on First Avenue, and the guy brings me the shoes and they look brand new. I said “oh my god, you fixed the platform!” Remember, this is like an Arabic shoe with the toe goes skyward, right, it’s like round and up. And I said, “oh you fixed the platform,” and he said “what?” I said “you fixed the platform.” And he goes to the back and he comes back with the old platform. He had built a new platform. I looked at him and I said, :Are you from Uzbekistan?” And he said, “Why do you know that?” Because only somebody from Uzbekistan would still know how to make a shoe. Not just repair a shoe, but he made the shoe. I mean it was so outrageous, but this is what we find, that we’re losing really basic skills. I mean, New York City—you know, this is not a great place to get stuck if something really bad happens. Where’s the food? You know, we already know, like the flooding that’s in this neighborhood. They’re selling multi-million dollar apartments in Miami Beach, yet everyone knows that within 15-20 years, Miami Beach is not gonna exist anymore.

Chris: I’m currently sitting in St Petersburg, Florida and my house is at 35 feet, so I’m rooting for climate change so I can sell it as oceanfront property…

Penny: Well, there you go. But you see what I’m saying—we’re not facing, our leaders are not facing, the reality. I’ve said for a long time that what we need is a million-child march, because it’s the children who are going to inherit all of this.

Francis: Well, there’s that Swedish woman…

Penny: Yeah, the girl. Yeah, she’s fantastic.

Francis: Yeah, she’s…ok, she might be one little glimmer of hope, optimism, that generation…

Penny: Yeah.

Francis: ‘Cause eventually the kids are gonna be like the 60s again, where they’re gonna say, you know, if you’re an adult, we’re not interested in what you have to say, you’re…

Penny: Well not only that, it’s just the betrayal is tremendous.

Francis: Yeah.

Penny: The betrayal is enormous, because this is what bothers me—what is wrong with these oligarchs who are not even interested in the welfare of their own spawn? Right? They’re going to suck all the value out of the planet…

Francis: They have compounds that they’re gonna, you know, run to when the shit hits the fan…

Penny: Oh yeah, in Uruguay and stuff. Yeah. But it’s funny, because like I don’t know what they think. I mean, it’s like just the concept of a gated community—who wants to live in a gated community? So let’s get back to, now, what can be done. So I really am in the business of Being and Becoming, that’s what I’m trying to always evolve, and I’m a big promoter of authenticity and individuality for people. And that’s one of the ways that we can help ourselves…

Chris: One of the recurring themes on the podcast, from a lot of our guests, has been making small changes and, you know, if you get millions of people to make small changes suddenly it’s a big change.

Penny: That’s true. People stop using straws and plastic wrapping and…I’m here with an iced coffee in a plastic container, and I realize, oh, I should…I bought my stainless steel straw, you know, and I should take my stainless steel canister to get my iced coffee. I agree, small changes. But when it comes to what’s going on in the government and the failure…see, one of the things I’m most angry about is, I’m angry with the House of Representatives and the Senate and the Congress, because they are not protecting us from what’s going on in the White House. How dare…how dare the White House sell off our natural resources, our state parks, our highways…and these things aren’t even publicly known. You just get dribs and drabs of that information. We have Democracy Now! is one of the few news sources where you find out what’s actually going on…it’s a very sophisticated government. Corruption and evildoing are not new inventions. These were understood all the way back to the seventeenth century. So there are safeguards within our government to protect us from people taking advantage…and yet Trump has been able to have his own offspring as—what are they called?

Chris: Senior advisors…

Penny: Advisors! They’re doing all kinds of business, on the back of Americans—it’s like nobody’s minding the store. We’ve all been in that position, we’ve all been in a position where, all of sudden something goes wrong and there’s a free for all. And we’re like…well….we shouldn’t really be doing this but…I’m taking this. I’ve been there, I think most people have. And that’s what’s going on in the government.

Francis: So a question that comes to me a lot lately is, what can people who find reverence and beauty in nature, what can we do to…how do we interact with people who don’t have that? I just see it as something that potentially…

Penny: I mean, that’s…this is like the million dollar question, because if people have no respect…I mean…there’s Chris Tanner’s mother. Chris Tanner is a painter in the East Village, and his mom lives in North central California, and she has been an ecology person as a Congresswoman, etc. for 60 years. And she is seeing right now all of the things that she helped put in place be overturned. If it’s happening in California, where people care a little bit, like nobody cares here. I don’t know, I don’t know what the answer is. But I think that the card that holds the change is going to be an ecological disaster card. Something’s gonna come from the outside that’s gonna lay something down. And I don’t know what that is, but…that’s my sense. It’s…there’s not going to be a change because of the good wishes and well meaning of people. It’s gonna be in response to a crisis.

Chris: We’re bumping up against our time limit, so…

Penny: Yeeeah! We did good.

Chris: I’ll just ask you the same question we ask every guest: Is there anything you’d like to promote or pimp or tell people about that they should go see?

Penny: Well, everyone can go to my website, which is—you can write to me, anyone can write to me who would like to write to me, at Invite me to your town—I like doing my work in different cities and meeting different people, and you’re all welcome any time to write to me with any of your problems, I can solve all your problems…my problems I’m not so good with, but other people’s problems are a piece of cake. Stay in touch!

Chris: Well, thank you so much.

Penny: Thank you.

Francis: Thank you.